Una pasarela que rompe la cuarta pared y convierte al público en parte de la escena, mientras tres universos estéticos conviven entre espejos, música y tecnología.
Del cringe a la serigrafía y de la joyería digital al folclore salmantino: una edición en la que internet y el arte comparten espacio.
Using Lance Oppenheim’s “Primetime” as a starting point, Sofía Crespo traces how true crime evolved from TV stings to bingeable series — and asks who pays for the spectacle.
The singer makes contradiction look effortless, moving between electronic euphoria, intimacy, loneliness and celebrity without ever settling into one identity.
The co-founder and one of the creative minds behind Toiletpaper discusses AI, humour, surrealism and why the most compelling images resist easy interpretation.
The artist opens up his sound on “Take Away My Problems”, a seven-track EP that moves beyond the jazz-house language that first introduced him.
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Wet Leg’s Rhian Teasdale fronts a capsule of close-fitting pieces and slogans about choosing your own direction, with the last items on view at Berlin’s KaDeWe.
Dismantled heels, chance and overlooked underground artists shape a practice that looks at what remains alive before it is fixed, archived or defined.
Berlin Fashion Week is already looking towards its next edition with two open calls supporting designers and new ways of experiencing fashion across the city.
Entre el terror queer, la ciencia ficción y las comedias incómodas, trece películas dibujan el último tramo de 2026 y ofrecen motivos para volver a las salas.
The Brisbane band’s “Endless Summer” pairs a circling psych-rock riff with a chorus whose unstoppable confidence grows increasingly unsettling.
From Nashville sessions to the Irish identity she wears proudly, the singer traces the experiences behind her new music and the candour that shapes her work.
La reinvención de los básicos se construye desde la transparencia, el drapeado y una silueta femenina ligera. Una colección de piezas básicas pero suficientemente alejadas de la norma.
His final Diesel show closes six years of experimental denim and a democratic vision of fashion. What comes next for the brand he helped revive?
With “SPIRITS”, the artist transforms over ninety discarded plastic shoes collected from four bodies of water into an interactive reflection on our dependence on petroleum and plastic.
Jonathan Anderson is taking the Maison to the restless Chinese megalopolis to bridge past and present, heritage and the contemporary, while honouring the founder’s 1948 collection.
Ocho ediciones después, el festival convierte la tecnología en una excusa para llegar a lo más humano: éxtasis, ritual y memoria para pensar el futuro.
Hablamos con el artista sobre el paso de la dirección de arte a la escultura y el dolor que toma forma en “Wound Attractors”, su primera exposición individual en Madrid.